This was to make room for the 60’s new ‘Memory’ section far right (out of shot). Notable here as the only Yamaha synth in his collection.ĭespite the tiny glimmer in this pic, we can confirm that this a 60 (rather than the earlier 6) thanks to the squished up left-most control panel (note the ‘d’ of Roland finishing in the blue Arpeggio section).
#Studio one neve 1073 plugin full
This is the full classic ’80 with its pin matrix modular patchbay door popped open revealing Harris to be a bit of a tweaker. Yes, it’s a classic, though given its subsequent improvements perhaps the Mk 1 wasn’t the one to go for? Hence it being dumped on the floor?…ĬS-50? CS-60? Don’t be daft. (Wot no Yamaha DX7?) Despite being 98% obscured, its distinctive blue panel and black knobage give it away. The way cool, klangerous digital classic and the second of only two digi synths in Harris’s studio. If you’re going to go big on Bob then why not get the flagship top-of-the-range? So you make a REALLY expensive Moog too? Great.
This thin slab of pure analogue is great for strings and leads. The perfect partner to Harris’s Roland Juno-60 elsewhere. We’ll take their very latest off-the-shelf take on the mono synth legend thanks. Vintage Model D? Micromoog? Multimoog? Prodigy? Rogue? Source? Little Phatty? Sub 37? Nah, don’t mess about. But why not spring for the bigger Matriarch? He’s not short of space… Or cash. Those multi-coloured panels are a giveaway. The Modal 002, 12-voice hybrid synth is an unsung niche choice that clearly brings something that Harris’s shedload of classics just don’t deliver. Here’s something genuinely surprising and worth highlighting. This is a complete ARP set (with suitcase keyboard) that must have set the multi-millionaire DJ back… a microscopic proportion of his total wealth.Īs you’ll soon see, it turns out that Harris is a bit of a Moog fan, and the excellent, timeless (beloved of Daft Punk) Voyager is no surprise in his studio.īaseball caps off. Why pull up a million identical and perfectly acceptable samples and patches when you can spring for the real thing? Top of the next rack… Yes! Perfect for those fake disco strings. Roland’s flagship ‘80s synth is clearly front and centre in the setup here, just a short scoot on the studio chair from the desk. Perhaps he couldn’t bag a decent 8? Oh… Hang on…īingo. Not often you see Roland’s half-hearted back-fill between the Jupiter-4 and mighty Jupiter-8. And this one is an original (lacking the Rev button and Vintage knob of the recent remake). We’d have a Sequential Circuits synth up front in a heartbeat too. Judging from the other keyboards nearby for scale, this a 2013 ‘Mini’ remake rather than the original. Only one of two Korgs in Harris’s collection but, come on, you’ve got to have an MS-20.
It’s now a modern classic and a signature of the keyboard connoisseur. Kinda ‘meh’ at the time, it’s an all-digital faux-analogue synth that went on to power countless ‘90s rave classics (when their makers would have much rather been using rare, expensive ‘proper’ analogue gear). The presence of this monster ’90s synth shows Harris knows his stuff.
0 kommentar(er)
